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	<title>Drawn/Taped/Burned: Abstraction on Paper &#187; Stefana McClure</title>
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		<title>Karen Schiff on Stefana McClure</title>
		<link>https://zgj.181.mywebsitetransfer.com/karen-schiff-on-stefana-mcclure/</link>
		<comments>https://zgj.181.mywebsitetransfer.com/karen-schiff-on-stefana-mcclure/#comments</comments>
		<pubDate>Mon, 01 Feb 2010 15:50:54 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Karen Schiff]]></category>
		<category><![CDATA[Stefana McClure]]></category>

		<guid isPermaLink="false">http://drawntapedburned.aboutdrawing.org/?p=974</guid>
		<description><![CDATA[<img src="http://drawntapedburned.aboutdrawing.org/wp-content/uploads/2010/02/4006_KAT.jpg" alt="" title="Stefana McClure" width="325" height="248.7" class="alignright wp-image-3231" /><em>
<br /></br>
Whispers of language
We can never fully hear
What words try to say</em>
<br />
<a href="http://drawntapedburned.aboutdrawing.org/?p=974">Read more...</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://zgj.181.mywebsitetransfer.com/?attachment_id=3231" rel="attachment wp-att-3231"><img src="http://zgj.181.mywebsitetransfer.com/wp-content/uploads/2010/02/4006_KAT.jpg" alt="" title="Stefana McClure" width="325" height="248.7" class="alignright wp-image-3231" /></a><br /></br><br /></br><br /></br><br />
<em>Whispers of language<br />
We can never fully hear<br />
What words try to say</em><br />
<br clear="all"><br />
When I think about the “words” Stefana McClure is tracing in this piece – pictograms, ideograms, glyphs – I become aware of all that I’ll never understand.  This isn’t just because I don’t know Japanese, or because I’m trained in letter-based languages instead.  It’s also because there are some words that are almost too faint to see:  <a href="http://zgj.181.mywebsitetransfer.com/?p=1036">what might not be visible in this picture of this picture</a> is a column of marks on the far right.  This column centers the image in its vermilion field, and it poignantly suggests that all our expressions are haunted by meanings that lie beyond language, and beyond us.</p>
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		<title>Stefana McClure on Gloria Ortiz-Hernández</title>
		<link>https://zgj.181.mywebsitetransfer.com/stefana-mcclure-on-gloria-ortiz-hernandez/</link>
		<comments>https://zgj.181.mywebsitetransfer.com/stefana-mcclure-on-gloria-ortiz-hernandez/#comments</comments>
		<pubDate>Wed, 27 Jan 2010 16:11:58 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Gloria Ortiz-Hernández]]></category>
		<category><![CDATA[Stefana McClure]]></category>

		<guid isPermaLink="false">http://drawntapedburned.aboutdrawing.org/?p=1030</guid>
		<description><![CDATA[<img src="http://drawntapedburned.aboutdrawing.org/wp-content/uploads/2010/01/4387_KAT.jpg" alt="" title="Gloria Ortiz-Hernández"width="325" height="323" class="alignright wp-image-3272" />
<br /></br><br /></br>
<em>I prefer to see with closed eyes.</em>
- Josef Albers

<a href="http://drawntapedburned.aboutdrawing.org/?p=1030">Read more...</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://zgj.181.mywebsitetransfer.com/?attachment_id=3272" rel="attachment wp-att-3272"><img src="http://zgj.181.mywebsitetransfer.com/wp-content/uploads/2010/01/4387_KAT.jpg" alt="" title="Gloria Ortiz-Hernández"width="325" height="323" class="alignright wp-image-3272" /></a><em>I prefer to see with closed eyes.</em><br />
- Josef Albers</p>
<p>Glimmerings of opaque red iron and dense yellow ochre join forces with the artist&#8217;s signature exquisitely nuanced graphite and charcoal tones to create a drawing of substantial weight and intensity.   Through the steady accumulation of minuscule marks, time becomes material, making viewing a visceral experience, an intensely physical activity.</p>
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		<title>Stefana McClure on Christopher Wilmarth</title>
		<link>https://zgj.181.mywebsitetransfer.com/stefana-mcclure-on-christopher-wilmarth/</link>
		<comments>https://zgj.181.mywebsitetransfer.com/stefana-mcclure-on-christopher-wilmarth/#comments</comments>
		<pubDate>Mon, 04 Jan 2010 16:04:55 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Christopher Wilmarth]]></category>
		<category><![CDATA[Stefana McClure]]></category>

		<guid isPermaLink="false">http://drawntapedburned.aboutdrawing.org/?p=1015</guid>
		<description><![CDATA[<img src="http://drawntapedburned.aboutdrawing.org/wp-content/uploads/2010/10/1750_Thumb.jpg" alt="" title="Christopher Wilmarth" width="1934" height="342" class="alignnone size-full wp-image-784" />
"To name an object is largely to destroy poetic enjoyment, which comes from gradual divination. The ideal is to suggest the object. It is the perfect use of this mystery which constitutes symbol. An object must be gradually evoked in order to show a state of soul." - Stéphane Mallarmé
<br />
<a href="http://drawntapedburned.aboutdrawing.org/?p=1015">Read more...</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://zgj.181.mywebsitetransfer.com/?attachment_id=784" rel="attachment wp-att-784"><img src="http://zgj.181.mywebsitetransfer.com/wp-content/uploads/2010/10/1750_Thumb.jpg" alt="" title="Christopher Wilmarth" width="1934" height="342" class="alignnone size-full wp-image-784" /></a><em>&#8220;To name an object is largely to destroy poetic enjoyment, which comes from gradual divination. The ideal is to suggest the object. It is the perfect use of this mystery which constitutes symbol. An object must be gradually evoked in order to show a state of soul.&#8221; </em><br />
- Stéphane Mallarmé</p>
<p>Picture this. A spiritual place, either real or imagined, conjured from delicate washes of sea-green watercolor over barely-visible pencil guidelines. The almost mystical light is modulated; the surface, luminous. An intimate, consistent progression, or a series of speculations, in which each variation clarifies and helps generate the next. Deceptively simple, spare and sensual, the drawing has the liberating power to transcend reality, affording us a glimpse of a richer dimension. Poetry itself.</p>
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