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	<title>Drawn/Taped/Burned: Abstraction on Paper &#187; Terry Winters</title>
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		<title>Terry Winters on Mel Bochner</title>
		<link>https://zgj.181.mywebsitetransfer.com/terry-winters-on-mel-bochner/</link>
		<comments>https://zgj.181.mywebsitetransfer.com/terry-winters-on-mel-bochner/#comments</comments>
		<pubDate>Thu, 04 Mar 2010 15:08:52 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Mel Bochner]]></category>
		<category><![CDATA[Terry Winters]]></category>

		<guid isPermaLink="false">http://drawntapedburned.aboutdrawing.org/?p=889</guid>
		<description><![CDATA[<img src="http://drawntapedburned.aboutdrawing.org/wp-content/uploads/2010/03/2237_KAT.jpg" alt="" title="Mel Bochner" width="500" height="249.3" class="alignright wp-image-3088" /></a><em>SPLIT INFINITY</em>

Body double

Power grid

Linear perspective

Time interval

Two-dimensional

Split decision

Multiple positioning

Tumbling dice

Local color

Sempiternal truth
<br />
<a href="http://drawntapedburned.aboutdrawing.org/?p=889">Look closer...</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://zgj.181.mywebsitetransfer.com/?attachment_id=3088" rel="attachment wp-att-3088"><img src="http://zgj.181.mywebsitetransfer.com/wp-content/uploads/2010/03/2237_KAT.jpg" alt="" title="Mel Bochner" width="500" height="249.3" class="alignright wp-image-3088" /></a><em>SPLIT INFINITY</em></p>
<p>Body double</p>
<p>Power grid</p>
<p>Linear perspective</p>
<p>Time interval</p>
<p>Two-dimensional</p>
<p>Split decision</p>
<p>Multiple positioning</p>
<p>Tumbling dice</p>
<p>Local color</p>
<p>Sempiternal truth</p>
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		<title>Mark Sheinkman on Terry Winters</title>
		<link>https://zgj.181.mywebsitetransfer.com/mark-sheinkman-on-terry-winters/</link>
		<comments>https://zgj.181.mywebsitetransfer.com/mark-sheinkman-on-terry-winters/#comments</comments>
		<pubDate>Sun, 03 Jan 2010 16:05:15 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Mark Sheinkman]]></category>
		<category><![CDATA[Terry Winters]]></category>

		<guid isPermaLink="false">http://drawntapedburned.aboutdrawing.org/?p=1017</guid>
		<description><![CDATA[<img src="http://drawntapedburned.aboutdrawing.org/wp-content/uploads/2010/10/2585_Thumb.jpg" alt="" title="Terry Winters" width="325" height="249.8" class="alignright wp-image-796" />This powerful drawing by Terry Winters is a delicate piece of heavily worked paper with dissolving, frayed edges. It is the size of a very large book, an elephant folio. The “ground” is dense, reflective graphite and the “figure” is mostly the undrawn wove-gridded dirty ochre of the paper itself. Mark-making has been recorded in three dimensions, as dents and wrinkles in the thin skin of the paper itself, like Freud’s mystic writing pad. This reflective three-dimensional surface changes dramatically as you move.
<br />
<a href="http://drawntapedburned.aboutdrawing.org/?p=1017">Read more...</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://zgj.181.mywebsitetransfer.com/?attachment_id=796" rel="attachment wp-att-796"><img src="http://zgj.181.mywebsitetransfer.com/wp-content/uploads/2010/10/2585_Thumb.jpg" alt="" title="Terry Winters" width="325" height="249.8" class="alignright wp-image-796" /></a>This powerful drawing by Terry Winters is a delicate piece of heavily worked paper with dissolving, frayed edges. It is the size of a very large book, an elephant folio. The “ground” is dense, reflective graphite and the “figure” is mostly the undrawn wove-gridded dirty ochre of the paper itself. Mark-making has been recorded in three dimensions, as dents and wrinkles in the thin skin of the paper itself, like Freud’s mystic writing pad. This reflective three-dimensional surface changes dramatically as you move.</p>
<p>The digital reproduction of this drawing by Terry Winters is a dimensionless image at one moment in time, under one condition of light. It is gray and black and not reflective. It is as big or as small as your screen. You zoom in and you zoom out. The drawing reproduced digitally is backlit glare, an image lost in translation.</p>
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