The beauty of Allyson Strafella’s carbon paper drawing process lies not only in the unique work of art that is its product, but also in the way her use of a simple and common duplicating device—carbon paper—calls to mind the most central elements of the art of drawing. Throughout human history—from the ancient times of the Altamira caves, through the Renaissance, to the present—carbon has been a primary tool for the creation of images and text. Using a typewriter, generally the means for creating duplicates with carbon paper, Strafella instead wounds the paper, allowing the carbon to bleed forth in images loaded with timeless
visual meaning.
Contributors
- William Anastasi
- Carl Andre
- Stephen Antonakos
- Frank Badur
- Jill Baroff
- Robert Barry
- Suzanne Bocanegra
- Mel Bochner
- Dove Bradshaw
- Trisha Brown
- John Cage
- Anne Chu
- Bruce Conner
- William Corbett
- Russell Crotty
- Annabel Daou
- Elena del Rivero
- Mark di Suvero
- Nicole Phungrasamee Fein
- Dan Flavin
- Carter Foster
- John Fraser
- Teo González
- Eva Hesse
- Christine Hiebert
- Jene Highstein
- Kristin Holder
- Roni Horn
- Jasper Johns
- Donald Judd
- Ellsworth Kelly
- Jay Kelly
- Win Knowlton
- Barry Le Va
- Sol LeWitt
- Tod Lippy
- Alexis Evelyn Lowry
- Linda Lynch
- Robert Mangold
- Brice Marden
- Stefana McClure
- Mary McDonnell
- Kathleen McEvily
- Tad Mike
- Deborah Gottheil Nehmad
- Andrea J. Nitsche
- Jill O’Bryan
- Gloria Ortiz-Hernández
- Tristan Perich
- Sylvia Plimack Mangold
- Erwin Redl
- Edda Renouf
- Christina Rosenberger
- Robert Ryman
- Karen Schiff
- Richard Serra
- Joel Shapiro
- Mark Sheinkman
- Holly Shen
- Robert Smithson
- Sara Sosnowy
- Allyson Strafella
- Michael Straus
- Hadi Tabatabai
- Lynne Woods Turner
- Richard Tuttle
- Esteban Vicente
- Ursula von Rydingsvard
- Joan Waltemath
- Lawrence Weiner
- Anne Wheeler
- Mark Williams
- Christopher Wilmarth
- Terry Winters
- Joan Witek
- Sarah Zabrodski
- Joseph Zito